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Giovanni Bellini
The Virgin and Child Between Peter and Sebastian (mk05)
Wood,32 1/2 x 23 1/4''(83 x 59 cm).Entered the Louvre in 1859
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Giovanni Bellini
Christ Blessing (mk05)
ca 1460
Wood 23 x 18''(58 x 46 cm)Entered the Louvre in 1912
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Giovanni Bellini
Portrait of a Man (mk05)
Wood 13 x 10 1/4''(33 x 26 cm)Entered the Louvre in 1902
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Giovanni Bellini
Calvary (mk05)
Wood,28 x 25''(71 x 63 cm)Entered the Louvre in 1970
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Giovanni Bellini
Madame Charles Max (san 05)
1896
6' 8 3/4'' x 3' 3 1/4''(205 x 100 cm)Gift of Mrs Charles Max 1904
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Giovanni Bellini
St Francis in the Wilderness (mk08)
C.1480
Tempera and oil on wood
124.4X141.9CM
New York
The Frick Collection
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Giovanni Bellini
Le Comte Robert de Montesquiou (mk20)
1897
Oil on canvas,200 x 100 cm
Musee d'Orsay,Paris
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Giovanni Bellini
Leonardo Loredan,doge of Venice (mk45)
1501/05
OiL on panel
61.5x45cm
London,The National Gallery
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Giovanni Bellini
Madonna and Child Between SS.Catherine and Ursula
mk61
c.1500
Oil on canvas
77x104cm
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Giovanni Bellini
St.Jerome in the Desert
mk67
Panel
45 1/4x44 1/2in
Pitti,Meridiana
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Giovanni Bellini
Sacred Allegory
mk67
Oil on panel
28 3/4x46 7/8in
Uffizi,Gallery
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Giovanni Bellini
Portrait of a Man
mk67
Oil on panel
12 3/16x10 1/4in
Uffizi,Gallery
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Giovanni Bellini
Doge Leonardo Loredan
mk137
ca.1501-1505 oil and Tempera on poplar wood. 61x45cm The nationally
Gallery, London
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Giovanni Bellini
Young woman at her toilet
mk150
1515
signed and dated panel
62x79cm
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Giovanni Bellini
Dead Christ Supported by the Madonna and St John
mk156
c.1460
Oil on panel
60x107cm
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Giovanni Bellini
Sacred Allegory
mk156
c.1490
Oil on panel
73x119cm
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Giovanni Bellini
The Ship of Fools
mk156
after 1491
Oil on panel
58x33cm
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Giovanni Bellini
The Doge Leonardo Loredan
mk156
c.1501-05
OIl on poplar
61x45
National Gallery,London
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Giovanni Bellini
Saint Zaccaria Altarpiece
mk156
1505
Oil on wood
Transferred to canvas
402x273cm
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Giovanni Bellini
St.Vincent Ferrer Polyptych
mk157
c.1465
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| Giovanni Bellini
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Italian High Renaissance Painter, ca.1430-1516
(b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.
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